Events Search and Views Navigation
In the past few decades, digital editing and digitisation of archival documents have been rapidly gaining prominence. Aiming to cater for both of these branches of Digital Humanities, our summer school offers an in-depth, hands-on curriculum to familiarise students with basic and more advanced tools in the field. Apart from acquiring a set of technical skills (including Command Line, HTML, CSS, TEI-XML XPath, XSLT, and eXist-db), our programme includes the more general practical guidelines on how to make a digital edition.Find out more »
The Collective Editing of the Talmud
The Babylonian Talmud, known simply as the Bavli, is the collaborative effort of generations of sages. It is also the foundational legal and ethical document of rabbinic Judaism. Rather than being authored by any individual authors, it instead represents the collective work of the Jewish scholarly community in Babylonia over five centuries. From its inception, in the beginning of the third century, until the end of the eighth century it was transmitted orally, and it continuously evolved and developed collectively throughout the period. This presentation will analyze the unique process of its formation and early transmission and how it came to represent the first oral wiki editing process.Find out more »
Relire la littérature des années 30 grâce aux humanités numériques: le cas des hebdomadaires d’information et de reportage.
Les années 1930 voient l’émergence des hebdomadaires illustrés par la photographie ou le montage photographique, comme Détective, Vu, ou Regards. Ces organes de presse contribuent à transformer le regard que les contemporains jettent sur le monde. Mais on ne peut toutefois les analyser du seul point de vue de l’actualité journalistique. Ces revues sont aussi animées par des écrivains et elles sont liées aux grandes maisons d’édition. L’exposé tentera donc de lier ce phénomène éditorial avec l’histoire de la littérature française, dans la perspective d’une approche transmédiatique.Find out more »
Popular taste and public understanding of literature are shaped by many different life experiences and influences, including what happens in schooling. Dr. Julie Blake's work is part of a body of research that seeks to understand the history of English literary education through its material artefacts and traces of classroom practice (eg Michael 1987, Rubin 2007 and Robson 2015). This history connects in interesting interdisciplinary ways with the history of literature, the reception history of different authors, the history of mass education, Britain’s colonial past and its postcolonial present. In her talk, Blake will share some of the practicalities and possibilities of building a digital “difference engine” for this research, and will discuss how this kind of approach might be developed and applied in other areas of literary history.Find out more »
Neural Machine Translation for Text and Speech
In his talk, Mattia Di Gangi will introduce Neural machine translation (NMT). This is an exciting research area that is experiencing fast growth and attracting more and more groups from academia and industry, and some of its fundamental problems are still unsolved. Neural machine translation (NMT) reached such impressive results in the last few years that some industrial players, imprudently, claimed to have reached human parity.Find out more »
In this two-hour workshop, we will learn how to use linguistic and literary features to evaluate several hypotheses about Spanish literature. Organised with the specific purpose of reaching the students of Spanish Language and Literature who are interested in DH in mind, this workshop will be taught completely in Spanish.Find out more »
What does it take to publish an edition?
What this talk is not, is a lesson in textual scholarship. What it aims to be instead, is a rough guide to the complicated interweave of standards, technologies and logistical issues behind the publishing process, and some advice on how to navigate this maze. We’ll then try to follow a chain of serendipitous events which eventually led to a proposal for an editors-first, standards-always and community-foremost tool that was brought to life in the new version 5 of the TEI Publisher. I will talk about some projects that were our inspirations, guinea pigs, challenges and benefactors (usually all at once) and hope to discuss the future of editions with you!Find out more »
Cambridge Digital Library has been supporting content-driven Digital Humanities projects since the online launch of the Isaac Newton papers in 2011, covering everything from 3,000 year-old Oracle Bones to aerial photography from the 1940s. This talk will explore some of the developments during this period – imaging as an investigative research activity, digital resources as datasets, the formalisation of digital humanities in Cambridge, and the growing emphasis on collaboration in the field as a whole. In this context, the speaker will focus on IIIF as an open and collaborative technology which is having a huge impact not just on the technical possibilities for the sharing and analysis of image data, but also on the culture of digital humanities.Find out more »
In Digital Humanities, digital editing and digitisation of archival documents are rapidly gaining prominence. Our summer school offers an intensive and practice-oriented 5-day course on making digital editions and managing digital collections. In the context of Digital Archives, participants will acquire a set of basic computer skills (command line, operating systems, and networks) while setting up a IIIF-compliant image server for sharing and reusing facsimiles of literary manuscripts. In the context of Digital Editions, participants will learn to transcribe these images in TEI-compliant XML and prepare their transcriptions for the web.Find out more »
This two-part workshop examines the physical gesture and material artifacts of the act of writing, as seen through the lens of computation and digital media. Taking contemporary and historical practices in asemic poetry, experimental typography and automatic writing as inspiration, participants will use the Python programming language to prototype speculative writing technologies that challenge conventional reading practices and notions of sense-making.Find out more »