The workshop is a training course full of tips and tricks for collecting and analysing historical data in a Microsoft Access database. This unique workshop will tackle specific database problems concerning historical data: different spellings of proper names, missing data, managing chronology, variations in currency systems etc.
In this double-feature, two researchers present their work on a European project called “A Million Pictures: Magic Lantern Slides Heritage in the Common European History of Learning” – a project that investigates popular visual culture and performativity in the 19th century. Sabine Lenk will go first, presenting her research on ‘Digitizing Magic Lantern Slides: Problems, Challenges, Possibilities’. She will be followed by Nele Wynants, who will present her research on ‘The Legacy of the Lantern. Artistic Reuse of an Old Apparatus’.
This third edition of the annual DH Benelux conference takes place at the City of Science, located in Belval, the new urban district of Esch-sur-Alzette, Luxembourg. The conference rooms are located in the University of Luxembourg’s building Maison du Savoir at Belval Campus.
This two-day workshop offers the perfect opportunity to become better acquainted with some of the main concerns that need to be addressed at the outset of both mass- and ad hoc digitisation projects. The core of the our programme exists of two half-day workshops on software packages that may help the researcher automate some aspects of the transcription process. The first will deal with ABBYY, still one of the best software packages around for OCRing digitised print materials. Focusing on the software’s possible advantages and pitfalls, this workshop will show the participants how to prepare their documents in order to achieve the best OCR results. The second workshop will introduce Transkribus, a software package that has recently made great advancements in optically recognising characters in handwritten materials. The programme will be completed by four (interactive) sessions on related topics that will be organised around these workshops.
In her talk, Vernackt will discuss the digitisation of a famous sixteenth-century map of Bruges, the development of a database, and a collaboration between different parties from both the academic and the GLAM sector. The MAGIS Bruges project responds to a variety of research interests and touches upon different issues within and outside the Digital Humanities community.
In her talk, Greta Franzini will discuss the case studies and activities of eTRAP. This project investigates the phenomenon of text reuse in order to advance automatic detection on historical data. Historical texts pose numerous challenges to automatically detect reuse. These challenges are, among others, the fragmentary survival of works, inconsistent referencing, but also the diachronic evolution of language. Unlike modern texts, where sources are consistently quoted and cited, historical texts are not always so transparent, thus opening up exciting opportunities for intertextual research.
In this talk, Erik Kwakkel shows how the study of medieval manuscripts can benefit from a digital approach. He presents two case studies: 1) How medieval script is studied in a quantified manner, using modest statistical research; 2) How MA-XRF, an x-ray technique, enables us to look inside early-modern bookbindings, revealing (and reading) medieval fragments that are hiding inside. These two examples will be taken as representatives of two common types of Digital Humanities research: one using digital techniques to do traditional research more efficiently, the other producing results that could not be gained in traditional research.
A Workshop on Digital Scholarly Editing, sponsored by the European Research Council (ERC), the Digital Scholarly Editions Initial Training Network DiXiT (Marie Curie ITN), and the University of Antwerp; organised by the Centre for Manuscript Genetics.
In his talk, Wido van Peursen shows how combining traditional scholarship with a computational approach permits us to explore linguistic variation in the Hebrew Bible or Old Testament from new perspectives. The Old Testament provides a diverse and most compelling field of study. It has a complex composition history that, according to many scholars, stretches out over a period of more than a millennium. Naturally, this corpus of texts presents a great linguistic diversity. For long, researchers have attempted to understand and explain this diversity in all its facets. The promising results of quantitative methods show once more how Digital Humanities can provide a major contribution to an ongoing discussion; respecting, but also improving an honourable scholarly tradition.
In his lecture, Jeroen De Gussem confronts traditional methods of authorship attribution with more recent computational methods for determining the authorship of a text. He addresses a number of practical and theoretical issues. Take a so-called “stylome”, a collection of features in an authors’ personal language use which can be quantified as data and visualized in attractive figures. Can computational formalism (or perhaps computational stylistics) capture “style” by focusing on such a stylome? Where does computational stylistics succeed where traditional stylistics have failed, and vice versa? Are computational stylistics as “objective” (or “unsupervised”) as they purport to be, or do our results only reflect the answers we were hoping to find?