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Lecture Series: Hans Walter Gabler

Hof van Liere Prinsstraat 13, Antwerpen, Belgium

“James Joyce’s Ulysses into the Digital Age: Forty Years of Steering an Edition through Turbulences of Scholarship and Reception”

Work over seven years with a team of dedicated collaborators produced the three-volume Critical and Synoptic Edition published in 1984. It was received with enthusiasm, yet soon also severely attacked. Meanwhile, its reading text has become the standard Ulysses reference text. Its display of the growth of the text, by contrast, is still to be searched in-depth for its critical potential. The medium to explore that potential is the digital medium. Today’s updating of our digital archive of the 1984 edition is enabling a generation renewal of the Critical and Synoptic Edition of 1984 in book form into a dynamic online Digital Critical and Synoptic Edition in-the-making for James Joyce’s Ulysses.

Antwerp DH Summer School 2018: Processing and Analysing Images

UAntwerp City Campus Prinsstraat 13, Antwerp, Belgium

This summer school offers an in-depth and hands-on curriculum to familiarise novice (digital) humanists with the state-of-the-art technologies that are nowadays available to researchers who take an active interest in ‘pixel-based’ artifacts in the Humanities. Topics for the summer school will include technologies such as XML, IIIF and Handwritten Text Recognition.

€200

Lecture Series: Dries Moreels

S.K102 Kleine Kauwenberg 14, Antwerpen, Belgium

Exploring IIIF for Digital Humanities

In this lecture, the basics of IIIF – International Image Interoperability Framework – are presented through the lens of its key benefits for research in Digital Humanities. As an open data API, IIIF allows for clear and well documented research data management practices, for projects ranging from teaching over scholarly annotation or editing up to data mining.

Lecture Series: Verónica Romero Gómez

S.K102 Kleine Kauwenberg 14, Antwerpen, Belgium

Human-Computer Interaction for Image Processing in DH.

This talk will discuss the topic of human-computer interaction in Digital Humanities, with a focus on image processing, using CATTI (Computer Assisted Transcriptions of Texts Images) as a case study.

Lecture Series: Fotis Jannidis

Hof van Liere Prinsstraat 13, Antwerpen, Belgium

Literature as a Commodity – Distant Reading Pulp Fiction

There is a field of popular fiction which doesn’t attract the attention of literary scholars very often: dime novels, sometimes also called pulp fiction because of the bad quality of the paper. Millions of them are printed every year but they don’t appear in any bestseller list, because they don’t belong to the usual system of literary communication. Research on dime novels perceived them quite long as part of the cheap escapist entertainment industry, targeting especially the lower classes, while in recent years the complexity of some of the series and of the communication of fans about their dime novels has been highlighted in contrast. The talk will look at 14.000 dime novels published in recent years and explore genres, topics and the complexity of the texts in an attempt to reevaluate some of these research positions.

Lecture Series: Sarah Fierens

S.R.218 Rodestraat 14 (via ingang Lange Winkelstraat), Antwerpen, Antwerpen, Belgium

Lof der Digitale Letteren

De Digitale Bibliotheek voor de Nederlandse Letteren (DBNL) is een digitale collectie van teksten die beho­ren tot de Nederlandse letterkunde, taalkunde en cultuurgeschiedenis van de vroegste tijd tot heden. Deze infosessie bespreekt de recente geschiedenis en de toekomst van de DBNL. Er zal worden ingegaan op de selectie van de teksten, het productieproces, en de mogelijkheden van hergebruik van data.

Lecture Series: Corina Koolen

S.A.107 Prinsstraat 13, Antwerpen, België, Belgium

Gender and the Riddle of Literary Quality

We as readers like to think that we don’t have bias, that we can judge books quite objectively. However, when The Riddle of Literary Quality project did a large survey in the world of people who read Dutch-language books, some subtle (and less subtle) gender biases came to light. In this talk, Koolen explains what the team found and the dozen ways she tried to tease out the cause of this bias.

Lecture Series: Franc Schuerewegen

S.R.218 Rodestraat 14 (via ingang Lange Winkelstraat), Antwerpen, Antwerpen, Belgium

Franco Moretti vs Michel Charles ou les paradoxes de la distance

Je m’intéresserai au procédé baptisé ’opérationnalisation’ que Franco Moretti décrit dans sa contribution à La Littérature au laboratoire (trad. fr. Ithaque Editions, 2016). Les ordinateurs tournent à plein régime. Graphes, cartes et arbres sont soigneusement produits. On est en pleine distant reading. Rien à voir, dira-t-on, avec ce qui occupe un Michel Charles, champion de la microlecture ‘à la française’, close reader compulsif et fier de l’être. Et pourtant, et comme on va voir, il s’agit là peut-être d’un faux antagonisme. Intéressons-nous, pour parler comme Proust, au ‘côté Moretti’ de Michel Charles, démarche qui revient à apercevoir symétriquement un ‘côté Michel Charles’ chez Franco Moretti. Bref, nous allons, au pays des humanités numériques, mettre les choses sens dessus dessous, pour une meilleure hygiène intellectuelle.

Lecture Series: Mats Dahlström

S.R.218 Rodestraat 14 (via ingang Lange Winkelstraat), Antwerpen, Antwerpen, Belgium

What We See on the Screen

However you define digital humanities (DH), it often revolves around digitized objects at libraries and archives. In particular, such digital reproductions are used within digital scholarly editions. There, the digital facsimiles are not only illustrations supporting a scholarly text transcription, but can also serve as research tools and instruments for accountability and accessibility. Nevertheless, the “critical gaze” of scholarly editors and DH is directed at text transcriptions, whereas digital facsimiles are often uncritically taken at face value. In this talk, I will address some of the critical considerations libraries face when digitizing their holdings, with significant bearing on the value and (re)usability of the digital reproductions when placed within a scholarly context.

About automatic writing and autocomplete: the poetics of technology

Passa Porta Antoine Dansaertstraat 46, Brussels, Brussels, Belgium

Writing and reading are no longer the exclusive right of the paper. For most authors, their practice is intimately intertwined with software and a networked infrastructure. What does it mean to consciously include this technological context in the literary creation process? How does the use of code – active or passive – change the notion of literature? What happens to the status of the author? And the role of the reader? On Thursday 25 April, Passa Porta organises an evening of debates on these topics, starting with a lecture by Allison Parrish, and continuing with a debate by Zaineb Hamdi and Cecilia Verheyden. The event was sponsored by DHu.F.